f682aff184 are about people like Humphrey Bogart, W. Lulu in Hollywood . Osgood Perkins would give you a line so that you would react perfectly. Certainly on some level it is true, but not, one suspects, on a conscious level-or not usually. Louise Brooks: A Biography . at the Market Arcade Theater, 639 Main Street. In her most famous piece, "Gish and Garbo", there may well be some colouring from her own experience which is not immediately apparent, but by and large it is an intelligent observer's estimation of something that happened in Hollywood and why it happened. This comment reveals what Brooks has learned about acting in the cinema: emotion per se, however deeply felt, is not enough. The character of Pabst remains enigmatic, partly no doubt because at that stage in her life Louise Brooks spent a lot less time trying to understand him than he spent in trying to under stand her.
She was the Dietrich of I Kiss Your Hand, Madame, a film in which, caparisoned variously in beads, brocade, ostrich feathers, chiffon ruffles, and white rabbit fur, she galloped from one lascivious stare to another. Quickly dropping his hands, Harvey sauntered off the porch as I opened the door and fled to my room. Shop Create Sell Learn CommunityKnowledge BaseUsers turn on suggestions Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. She is really revealing-or at any rate really persuasive-in her explanation of how another cult figure, Humphrey Bogart, got that way by rigorously suppressing his real character, "a conventional, well bred theatre actor", in favour of something he learned from his own tough-guy screen roles (she first knew Humphrey in 1924 and last saw an unrecognisable Bogey in 1943). She is good on W. It was timing – because emotion means nothing'. Showing results for Search instead for Do you mean . Fields as he really was, rather than as his posthumous elevation to 60s icon would have him (she was in the Follies with him, and later married to his most regular director, Eddie Sutherland). The notion is persuasive, and no one else seems to have put it in quite those terms. It's like dancing with a perfect dancing partner.
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